The name mahogany is commonly applied to many different kinds of tropical hardwood, most of which are reddish-brown in colour and widely employed in furniture-making, boat building and other high specification uses. However, there are only three species of true mahogany, all of which are indigenous to the Americas. These are Swietenia mahagoni (L.) Jacq., S. macrophylla King, and S. humilis Zucc. The natural distribution of these species within the Americas is geographically distinct. S. mahagoni grows on the West Indian islands as far north as the Bahamas, the Florida Keys and parts of Florida; S. humilis grows in the dry regions of the Pacific coast of Central America from south-western Mexico to Costa Rica; S. macrophylla grows in Central America from Yucatan southwards and into South America, extending as far as Peru, Bolivia and extreme western Brazil. In the 20th century various botanists attempted to further to define S. macrophylla in South America as a new species, such as S. candollei Pittier and S. tessmannii Harms., but many authorities consider these to be spurious. According to Record and Hess ‘all of the mahogany of continental North and South America can be considered as one botanical species, Swietenia macrophylla King’.
The name mahogany was initially associated only with those islands in the West Indies under British control (French colonists used the term acajou, while in the Spanish territories it was called caoba). The origin of the name is uncertain, but it could be a corruption of ‘m’oganwo’, the name used by the Yoruba and Ibo people of West Africa to described trees of the genus Khaya, which is closely related to Swietenia. When transported to Jamaica as slaves, they gave the same name to the similar trees they saw there. Although this interpretation has been disputed, a more plausible origin has yet to be suggested. The indigenous Arawak name for the tree is not known. In 1671 the word mahogany appeared in print for the first time, in John Ogilby’s America. Among botanists and naturalists, however, the tree was considered a type of cedar, and in 1759 was classified by Carl Linnaeus (1707–1778) as Cedrela mahagoni. The following year it was assigned to a new genus by Nicholas Joseph Jacquin (1727–1817), and named Swietenia mahagoni. Until the 19th century all mahogany was regarded as one species, although varying in quality and character according to soil and climate. In 1836 the German botanist Joseph Gerhard Zuccarini (1797–1848) identified a second species while working on specimens collected on the Pacific coast of Mexico, and named it Swietenia humilis. In 1886 a third species, Swietenia macrophylla, was named by Sir George King (1840–1909) after studying specimens of Honduras mahogany planted in the Botanic Gardens in Calcutta, India. Today, all species of Swietenia grown in their native locations are listed by CITES, and are therefore protected. Both Swietenia mahagoni, and Swietenia macrophylla were introduced into several Asian countries at the time of the restrictions imposed on American mahogany in the late 1990s and both are now successfully grown and harvested in plantations in those countries. The world’s supply of genuine mahogany today comes from these Asian plantations, notably from India, Bangladesh, Indonesia and from Fiji, in Oceania.
Species of Swietenia cross-fertilise readily when they grow in proximity; the hybrid between S. mahagoni and S. macrophylla is widely planted for its timber. Mahogany is the national tree of Dominican Republic and Belize. It also appears on the national seal of Belize.
“Mahogany” may refer to the largest group of all Meliaceae, the fifteen related species of Swietenia, Khaya and Entandrophragma. The timbers of Entandrophragma are sold under their individual names, sometimes with “mahogany” attached as a suffix, for example “sipo” may be referred to as “sipo mahogany”. Kohekohe (Dysoxylum spectabile), a close relative, is sometimes called New Zealand Mahogany.
The term “genuine mahogany” applies to only the Swietenia mahoganies, wherever grown. The term “true mahogany” applies to any timber commercially called “mahogany” with or without qualification that is derived from the Meliaceae family. In addition to Swietenia mahoganies this applies also to Khaya (African Mahogany) and Toona (Chinese Mahogany) which are both from the Meliacae (Mahogany) family.
In addition, the US timber trade also markets various other Federal Trade Commission-defined species as “mahoganies” under a variety of different commercial names, most notably “Philippine mahogany”, which in reality is actually from the genus Shorea, a dipterocarp. This wood is also known as Lauan or Meranti.
History of the trade in American mahogany
There can be little doubt that mahogany timber has been used since prehistoric times by the indigenous peoples of the Caribbean and Central and South America. In the 17th century the buccanneer John Esquemeling recorded the use of mahogany or cedrela on Hispaniola for making canoes; ‘The Indians make these canoes without the use of any iron instruments, by only burning the trees at the bottom near the root, and afterwards governing the fire with such industry that nothing is burnt more than what they would have…’. The wood first came to the notice of Europeans with the beginning of Spanish colonisation in the Americas. A cross in the Cathedral at Santo Domingo, bearing the date 1514, is said to be mahogany, and Phillip II of Spain apparently employed the wood for the interior joinery of the Escorial Palace, begun in 1584. However, caoba, as the Spanish called the wood, was principally reserved for ship building, and it was declared a royal monopoly at Havana in 1622. Hence very little of the mahogany growing in Spanish controlled territory found its way to Europe. After the establishment of a French colony in Saint Domingue (now Haiti), some mahogany from that island probably found its way to France, where joiners in the port cities of Saint-Malo, Nantes, La Rochelle and Bordeaux used the wood to a limited extent from about 1700. On the English controlled islands, especially Jamaica and the Bahamas, mahogany was abundant but not exported in any quantity before 1700.
While the trade in mahogany from the Spanish and French territories in America remained moribund for most of the 18th century, this was not true for those islands under British control. In 1721 the British Parliament removed all import duties from timber imported into Britain from British possessions in the Americas. This had the effect of immediately stimulating the trade in West Indian timbers, of which the most important was mahogany. Importations of mahogany into England (and excluding those to Scotland, which were recorded separately) reached 525 tons per annum by 1740, 3,688 tons by 1750, and more than 30,000 tons in 1788, the peak year of the 18th century trade. At the same time, the 1721 Act had the effect of substantially increasing exports of mahogany from the West Indies to the British colonies in North America. Although initially regarded as a joinery wood, mahogany rapidly became the timber of choice for makers of high quality furniture in both the British Isles and the 13 colonies of North America.
Until the 1760s over 90 per cent of the mahogany imported into Britain came from Jamaica. Some of this was re-exported to Europe, but most was used by British furniture makers. Quantities of Jamaican mahogany also went to the North American colonies, but most of the wood used in American furniture came from the Bahamas. This was sometimes called Providence wood, after the main port of the islands, but more often madera or maderah, which was the Bahamian name for mahogany. In addition to Jamaica and Bahamas, all the British controlled islands exported some mahogany at various times, but the quantities were not large. The most significant third source was Black River and adjacent areas on the Mosquito Coast (now Republic of Honduras), from where quantities of mahogany were shipped from the 1740s onwards. This mahogany was known as ‘Rattan mahogany’, after the island of Ruatan which was the main offshore entrepot for the British settlers in the area.
At the end of the Seven Years’ War (1756–63) the mahogany trade began to change significantly. During the occupation of Havana by British forces between August 1762 and July 1763, quantities of Cuban or Havanna mahogany were sent to Britain, and after the city was restored to Spain in 1763 small quantities continue to be exported, mostly to small ports on the north coast of Jamaica, from where it was sent to Britain. However, this mahogany was not much liked, being regarded as inferior to the Jamaican variety, and the trade remained fitful until the 19th century. Another variety new to the market was Hispaniola mahogany, also called ‘Spanish’ and ‘St Domingo’ mahogany. This was the result of the 1766 Free Ports Act, which opened Kingston and other designated Jamaican ports to foreign vessels for the first time. The object was primarily to encourage importations of cotton from French plantations in Saint Domingue, but quantities of high quality mahogany were also shipped. These were then forwarded to Britain, where they entered the market in the late 1760s.
In terms of quantity, the most significant new addition to the mahogany trade was Honduras mahogany, also called ‘baywood’, after the Bay of Honduras. British settlers had been active in southern Yucatan since the beginning of the 18th century, despite the opposition of the Spanish, who claimed sovereignty over all of Central America. Their main occupation was cutting logwood, a dyewood for which there was a high demand in Europe. The centre of their activity and the primary point of export was Belize. Under Article XVII of the Treaty of Paris (1763), British cutters were for the first time given the right to cut logwood in Yucatan unmolested, within agreed limits. Such was the enthusiasm of the cutters that within a few years the European market was glutted, and the price of logwood collapsed. However, the price of mahogany was still high after the war, and so the cutters turned to cutting mahogany. The first Honduras mahogany arrived in Kingston, Jamaica, in November 1763, and the first shipments arrived in Britain the following year.
By the 1790s most of the viable stocks of mahogany in Jamaica had been cut, and the market was divided between two principal sources or types of mahogany. Honduras mahogany was relatively cheap, plentiful, but rarely of the best quality. Hispaniola (aka Spanish and St Domingo) mahogany was the wood of choice for high quality work. Although data are lacking, it is likely that the newly independent United States now received a good proportion of its mahogany from Cuba. In the last quarter of the 18th century France began to use mahogany more widely; they had ample supplies of high quality wood from Saint Domingue. The rest of Europe, where the wood was increasingly fashionable, obtained most of their wood from Britain.
The French Revolution of 1789 and the wars that followed radically changed the mahogany trade, primarily due to the progressive collapse of the French and Spanish colonial empires, which allowed British traders into areas previously closed to them. Saint Domingue became the independent republic of Haiti, and from 1808 onwards Spanish controlled Santo Domingo and Cuba were both opened to British vessels for the first time. From the 1820s mahogany from all these areas was imported into Europe and North America, with the lion’s share going to Britain. In Central America British loggers moved northwest towards Mexico and south into Guatemala. Other areas of Central America as far south as Panama also began to be exploited, but the most important new development was the beginning of large scale logging in Mexico from the 1860s. Most mahogany was cut in the province of Tabasco and exported from a number of ports on the Gulf of Campeche, from Vera Cruz eastwards to Campeche and Sisal. By the end of the 19th century there was scarcely any part of Central America within reach of the coast untouched by logging, and activity also extended into Colombia, Venezuela, Peru and Brazil.
The peak of the trade in American mahogany was probably reached in the last quarter of the 19th century. Figures are not available for all countries, but Britain alone imported more than 80,000 tons in 1875. This figure was not matched again; from the 1880s African mahogany (Khaya spp.), a related genus, began to be exported in increasing quantities from West Africa, and by the early 20th century it dominated the market. In 1907 the total of mahogany from all sources imported into Europe was 159,830 tons, of which 121,743 tons were from West Africa. By this time mahogany from Cuba, Haiti and other West Indian sources was becoming increasingly difficult to obtain in commercial sizes, and by the late 20th century Central American and even South American mahogany was heading in a similar direction. In 1975 S. humilis was placed on CITES Appendix II followed by S. mahagoni in 1992. The most abundant species, S. macrophylla, was placed on Appendix III in 1995 and moved to Appendix II in 2003.
Mahogany has a generally straight grain and is usually free of voids and pockets. It has a reddish-brown color, which darkens over time, and displays a reddish sheen when polished. It has excellent workability, and is very durable. Historically, the tree’s girth allowed for wide boards from traditional mahogany species. These properties make it a favorable wood for crafting cabinets and furniture.
Much of the first-quality furniture made in the American colonies from the mid 18th century was made of mahogany, when the wood first became available to American craftsmen. Mahogany is still widely used for fine furniture; however, the rarity of Cuban mahogany and over harvesting of Honduras and Brazilian mahogany has diminished their use. Mahogany also resists wood rot, making it attractive in boat construction. It is also often used for musical instruments, particularly the backs, sides and necks of acoustic guitars and drums shells because of its ability to produce a very deep, warm tone compared to other commonly used woods such as Maple or Birch. Guitars featuring mahogany in their construction include Martin D-18 and Gibson Les Paul models.
Mahogany is now being used for the bodies of high-end stereo phonographic record cartridges and for stereo headphones, where it is noted for “warm” or “musical” sound.